Post-digital Literature and Storytelling: Analysing Multimodal Narratives in Mark Z. Danielewski's Works

Abstract

Mark Z. Danielewski is a pioneering figure in post-digital literature, redefining storytelling through his experimental use of text, visuals, and interactivity. His novels, particularly House of Leaves (2000) and The Familiar (2015 – 2017), exemplify multimodal narratives that challenge conventional literary structures. This study examines Danielewski’s narrative techniques, focusing on typography, fragmented storytelling, and transmedia elements, positioning his work within the broader context of post-digital aesthetics and media convergence.

By integrating digital aesthetics into print literature, Danielewski blurs the boundaries between physical and digital storytelling, aligning with theories of hypertext fiction (Hayles, 2008) and transmedia storytelling (Jenkins, 2006). His works transform readers from passive consumers into active participants, demanding interpretative engagement. This research paper explores the implications of his literary contributions to contemporary hybrid storytelling, emphasising the persistence of print literature amid digital advancements. Ultimately, Danielewski's work exemplifies the evolving nature of narrative forms, offering insights into the future trajectory of literature in the digital age.